{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://thebreman.aviaryplatform.com/iiif/4q7qn5zm35/manifest","type":"Manifest","label":{"en":["Dwoskin, Harry"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/082/original/TheBreman_SecondaryMark_Horizontal_Blue_Black.png?1713640889","metadata":[{"label":{"en":["Date"]},"value":{"en":["1983-12-08 (creation)"]}},{"label":{"en":["Language"]},"value":{"en":["English (primary)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Source"]},"value":{"en":["William Breman Jewish Heritage Museum Esther and Herbert Taylor Oral History Collection"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eHarry Dwoskin interviewed by Clifford Kuhn on December 8, 1983 in Atlanta, Georgia.\u003c/p\u003e (general)","\u003cp\u003eHarry Dwoskin was born in 1907. He was the son of Morris Dwoskin, who had immigrated to Atlanta from Russia via England.  Harry worked with his father at Dwoskin \u0026amp; Sons. They specialized in interior design for synagogues, churches, clubs, theaters, and high-end homes. Their services included mural painting, marbleizing, and stenciling. Harry was a member of Ahavath Achim Congregation.  He was married to Mary Heiman Dwoskin (1907-1983) for fifty six years and passed away on September 28, 1990 at the age of 83.\u003c/p\u003e (bioghist)","\u003cp\u003eHarry recounts his father’s immigration to Atlanta as well as his beginnings in the decorating business. He discusses his father’s work on the design of Ahavath Achim Congregation and details the artistic processes involved in the creation of the building. Harry reflects on the pride he took in his father’s work and the praise he received in the community.\u003c/p\u003e (scope content)"]}},{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://archivesspace.thebreman.org/repositories/2/archival_objects/27969"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eAll rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, recorded by any information storage and retrieval system, without the express written consent of the William Breman Jewish Heritage Museum.\u003c/p\u003e"]}},{"label":{"en":["Subject"]},"value":{"en":["Dwoskin, Harry, 1907-1990 (personal name)","Ahavath Achim Synagogue (topical term)","Interior Design (topical term)","Jewish Social Clubs (topical term)"]}}],"summary":{"en":["\u003cp\u003eHarry Dwoskin interviewed by Clifford Kuhn on December 8, 1983 in Atlanta, Georgia.\u003c/p\u003e","\u003cp\u003eHarry Dwoskin was born in 1907. He was the son of Morris Dwoskin, who had immigrated to Atlanta from Russia via England.  Harry worked with his father at Dwoskin \u0026amp; Sons. They specialized in interior design for synagogues, churches, clubs, theaters, and high-end homes. Their services included mural painting, marbleizing, and stenciling. Harry was a member of Ahavath Achim Congregation.  He was married to Mary Heiman Dwoskin (1907-1983) for fifty six years and passed away on September 28, 1990 at the age of 83.\u003c/p\u003e","\u003cp\u003eHarry recounts his father’s immigration to Atlanta as well as his beginnings in the decorating business. He discusses his father’s work on the design of Ahavath Achim Congregation and details the artistic processes involved in the creation of the building. Harry reflects on the pride he took in his father’s work and the praise he received in the community.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eAll rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, recorded by any information storage and retrieval system, without the express written consent of the William Breman Jewish Heritage Museum.\u003c/p\u003e"]}},"provider":[{"id":"https://thebreman.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["William Breman Jewish Heritage Museum"]},"homepage":[{"id":"https://thebreman.aviaryplatform.com/","type":"Text","label":{"en":["William Breman Jewish Heritage Museum"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/082/original/TheBreman_SecondaryMark_Horizontal_Blue_Black.png?1713640889","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/471/small/MDF_216_005.jpeg?1619272480","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471","type":"Canvas","label":{"en":["Media File 1 of 1 - Dwoskin_Harry.mp3"]},"duration":3599.04653,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/471/small/MDF_216_005.jpeg?1619272480","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/content/1","type":"AnnotationPage","items":[{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-thebreman.s3.wasabisys.com/collection_resource_files/resource_files/000/097/471/original/Dwoskin_Harry.mp3?1610572672","type":"Audio","format":"audio/mp3","duration":3599.04653,"width":640,"height":360},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471","metadata":[]}]}],"annotations":[{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982","type":"AnnotationPage","label":{"en":["Harry Dwoskin [Transcript]"]},"items":[{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"DWOSKIN: Mr. Kuhn. I have here a talk made by Max M. Cuba, who was our auditor.\nHe gave a mini-history of the Dwoskin Incorporated to a joint meeting of the\nDwoskin family stockholders on June 24, 1966, at the Atlanta Cabana Motel. There\nwas a paragraph in this speech he made that pertained to the original synagogue.\n","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=0.0,30.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'll read it to you as follows.\n\nKUHN: Sure.\n\nDWOSKIN: \"My first contact with the Dwoskin talent was during the building of\nthe synagogue on Washington Street. I remember as a kid watching Morris Dwoskin\nmarbleize the columns and the front of the pulpit, and I was carried away by his\nartistry. His painting of heaven on the inside of the dome was so realistic that\nduring evening services, I could not resist gazing at the moon and stars thereon\nwhen I should have been saying my ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=30.0,60.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"prayers. I thought it was equal in beauty and\naccuracy to the picture of the ceiling of the Sistine Chapel which appeared in\nmy history book. It was Morris Dwoskin's first big job, and he nursed it with\ntender care. I recall Harry telling me that he was 13 years old at the time and\nserved as a helper during summer vacation. Since this was a cost-plus job, he\nreceived the magnificent salary of 30 cents per ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=60.0,90.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"hour.\" Shall I cut right there?\n\nKUHN: As you wish. Why don't you repeat what you told me before about how your\nfamily came to Atlanta.\n\nDWOSKIN: Fine. I'll continue with what Max Cuba had to say at this meeting: \"In\nthose days, Morris Dwoskin was operating a small, unprofitable painting and\ndecorating business. While he was a master mechanic, like most artists, he was\nnot a businessman, and found himself heavily in debt and facing ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=90.0,120.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"bankruptcy.\nHarry quit high school at 16 and began working for the company. He did take time\noff to complete a course at Draughon Business College, to equip himself for a\nbusiness career. This made him, 'a college man'.\" I think I'll continue. Since\nyou asked me, Mr. Kuhn, ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=120.0,150.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to tell you a little about the history and art and\ndecorating of the synagogue, I think it would be appropriate to tell you a\nlittle about my dad, who I consider a very fine, master mechanic, as Max Cuba\nhas mentioned. He was really more than that. He was a mural painter and a fine\ndecorator. Papa ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=150.0,180.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"escaped from the Russian-Japanese War at that time and was\nmarried to my mother. Everything was so corrupt in Russia, the way 1 understand\nit, that he got to Berlin [Germany] and left my mother in Russia. He worked as a\npainter in Berlin for several months and then made enough money to go to London,\nEngland. There he worked about a year, year and a half. He sent enough money to\nmy mother, who followed him to ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=180.0,210.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"London, where he continued working. He made\nenough money to go to New York. He left my mother in London and he sent for her,\nI think, about a year later . . .\n\nKUHN: In New York.\n\nDWOSKIN: . . . to come to New York with my older sister, who was at that time, I\nthink, three years old. He worked on some very fine theaters, fine restaurants,\nand so ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=210.0,240.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"forth in New York, but he developed bronze poisoning and was sent to\nAtlanta for his health, where he quickly recuperated. That was in 1907, where\nHarry Dwoskin was born.\n\nKUHN: Did he have relatives here in Atlanta?\n\nDWOSKIN: No.\n\nKUHN: How did they send him to Atlanta, or who sent him?\n\nDWOSKIN: A friend of his told him Atlanta was a good place to go, and a doctor\nin New York suggested that climate would be nice year round, so just luckily ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=240.0,270.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"he\ncame here, loved it, and raised a family of six children. He went to work for\nthe W. E. Brown Decorating Company, who are still in business in Atlanta. At\nthat time, he worked for them for seven or eight years as a union painter, and\nmural painter, and foreman for their fine-quality residential and hotel work,\nclub work, and so forth. During a union strike ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=270.0,300.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in 1914 or 1913, Mr. Walter E.\nBrown--the president of the W. E. Brown Decorating Company--decided to give up\nthe painting end of their business entirely and stick to interior decorating,\nfurnishings, and so forth. Papa then went in business for himself. The first\nsubstantial job he received, or first substantial commission he received, was\nthe Ahavath Achim [AA] synagogue, ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=300.0,330.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"through the various friends and contacts he\nknew in Atlanta. As I recall, Mr. Morris Lichtenstein was chairman of the\nbuilding committee. I believe it was Mr. Morris Goldberg who was president of\nthe synagogue. Since Papa had no money to speak of, he was given this commission\nat the synagogue to do as he pleases, using his own good taste to decorate the\ninterior of the ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=330.0,360.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"synagogue, and on a cost-plus basis, with full control of the\njob. Like Max Cuba mentioned, I worked one summer vacation when I was 13 years\nold and I recall very vividly, the maze of wood scaffolding throughout the main\nauditorium. It had a large dome, which my dad tried to imitate the heaven, which\nhe did beautifully in blues and white ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=360.0,390.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"clouds, gold-leaf stars, and the moon. It\nwas quite spectacular. This dome was surrounded by a large plastic cornice\nextending out from the dome at the ceiling height, and dentil [Latin: tooth]\nblock, and egg-and-dart, which was a traditional Roman-type architecture.\nInserted around the dome, as I recall, and I'm sure I'm correct, was probably\n","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=390.0,420.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"200 or 300 incandescent globes. When they were lit at night, they brought the\nsky effect of the dome out very prominently in soft tones which didn't interrupt\nwith the rest of the decoration of the rest of the synagogue. My dad did\npractically all of the art work, but he had his other master mechanics help ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=420.0,450.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"him\nHe laid out the entire scheme with no criticism from anybody on the building\ncommittee of the synagogue. They had complete confidence in him. The ark and the\ncolumns on either side of the altar were ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=450.0,480.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"marbleized in various tones of Italian\nSienna marble and beige marbles and black and gold base. They were so realistic;\neveryone thought they were real marble. He was especially gifted in this regard.\nThe Hebrew lettering of the Ten Commandments he did personally and shaded them\nso you'd think they were a bronze plaque. ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=480.0,510.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The ceilings were executed in panels,\nall in plaster. The plaster was run in 14- to 16-inch cornices. [That] gave it a\nlot of weight and character. The scheme my dad worked out for the panels was on\neach corner was the Star of David with scroll work. The ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=510.0,540.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"center of the panels\nwere appropriate religious motifs. All the striping and cartouche and stencil\nwork was designed and executed by him. I recall he had my mother cutting out\nsome stencils and doing the needlework on the cartouches so they could be\npounced onto the ceilings to outline the decoration. The color scheme that\nremained at the ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=540.0,570.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"synagogue for many, many years was done in café-au-lait,\nbeiges, pongee color, soft robin-egg blue. Jews like blue so he didn't use too\nmuch green. He did use a little soft, celadon green and gold bronze and gold\nleaf where he could afford to highlight the ornamental plaster. The capitals\nwere ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=570.0,600.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Corinthian-style at the top of the pilasters on either side of the stage.\nThey were done in gold leaf and antiqued slightly. The bimah was in the center\nof the auditorium directly under the dome. That's where the choir of probably\nsix or eight sat, ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=600.0,630.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"along with the cantor.\n\nKUHN: Was this Cantor [Lipitz], or before Cantor [Aaron] Lipitz, even?\n\nDWOSKIN: Cantor who?\n\nKUHN: Lipitz.\n\nDWOSKIN: Maybe. I don't know the cantor's name, but I know the rabbi was Rabbi\nHirmes. H-I-R-M-E-S, I think, but that data and the officers you can secure.\n\nKUHN: Let's continue. The last you mentioned was the Corinthian columns ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=630.0,660.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and they\nwere slightly antiqued.\n\nDWOSKIN: Yes. The doors were done in accent colors and the molding striped. I\npersonally didn't know how beautiful this synagogue was, and neither did anyone\nelse. The windows were done by Coolidge Glass Company of Atlanta. They are not\nin business today. The architect was named [Charles H.] Hopson . . .\nH-O-P-S-O-N. ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=660.0,690.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I remember a very slight man with a goatee. I don't know his first\nname, but you can get it off the cornerstone at the First Christian Science\nChurch on 15th Street, or the First [Peachtree] Christian Church--I think the\nname of it is--on Peachtree Road directly opposite The Temple. I don't think his\nfirst name was Charles, and I'd recommend that you go by and look at the cornerstone.\n\nKUHN: Yes.\n\nDWOSKIN: The date of the building, going ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=690.0,720.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"back to the best I can recollect . . .\nI'm 76 now, so I was 13, so that's 63 years ago when it was finished, so I\nimagine it took about two years to build, so it must have been finished . . .\n\nKUHN: In 1920.\n\nDWOSKIN: You can find this information on the cornerstone of the present\nbuilding. I was in charge of the ceremony of laying the cornerstone and\nsoliciting objects and memorabilia to place in the ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=720.0,750.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"cornerstone. You will also\nfind the cornerstone of the building on Washington Street and previously to\nthat, the cornerstone of the original synagogue [that] I think was on Gilner Street.\n\nThat will give you insight of the dates.\n\nKUHN: It's the same architect who designed the Christian Science Church then, right?\n\nDWOSKIN: Yes, the same architect who designed the First Christian Science Church\nand First Christian Church--I think that was the name of it, across from The\nTemple-- was Mr. Hopson. You can get ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=750.0,780.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"his full name. He was a specialist on\nchurch work. I believe, the way I understand from Mr. [Joseph] Joe Cuba--who was\nquite active in the synagogue and former president of the synagogue--that the\ndeal they worked out with Mr. Hopson was to buy the plans of the First\nChristian's Church and supplement that in such a way where they could build a\nsynagogue on Washington Street without paying an architect fee.\n\nKUHN: I see. ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=780.0,810.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The dome must have been quite spectacular, it sounds like.\n\nDWOSKIN: The dome was just a plain dome, but it's large, but by painting the\ncloud effect and the sky effect with the gold leaf stars . . . Papa did put a\nlot of effort behind that, and he did it all himself, so it was quite an\nundertaking. The new steel scaffolding . . . in those days it was wood\nscaffolding . . . I remember climbing up there and getting bawled out for\nclimbing up there when I was 13 years old. It seemed like I was up ten stories\nhigh, but it was only about three or four ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=810.0,840.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"stories high.\n\nKUHN: That's high enough.\n\nDWOSKIN: Yes. In the lower floor, the ground floor as I recall, was an assembly\nroom and a kitchen. They had a small chapel in the basement. Joe Cuba told me he\nwas married in that assembly room. That was before 1 knew him. I was married 56\nyears ago in the Jewish Woman's Club about three blocks south of the synagogue,\nbut ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=840.0,870.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Rabbi Hirmes performed the ceremony for me. Does that make sense?\n\nKUHN: Sure.\n\nDWOSKIN: The synagogue architecture was hurt a little because of the widening of\nWashington Street, as I recall. They had to do away with some of the approach\nsteps leading to the auditorium because the auditorium was on the second floor,\nor equivalent to the second floor. Going back to when they removed the\nscaffolding before the ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=870.0,900.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"opening . . . everyone was amazed at the beauty. If I\nhave to say so myself, I just didn't realize it would turn out so beautiful, and\nso soft, and in such good taste, and subtle, but still lovely colors. The\nmembership never stopped bragging about the work my dad did in accomplishing the\nfinished effect.\n\nKUHN: He painted on his back then?\n\nDWOSKIN: ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=900.0,930.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Yes, like a Michelangelo artist. It was nothing like that. I can assure\nyou, but it was in good taste. It was something the synagogue could afford to\npay because the money involved wouldn't amount to anything today but in those\ndays, it was quite a large project. It set the AA Synagogue off as being the\nleading synagogue in the South.\n\nKUHN: I see. So it was ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=930.0,960.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the building, itself, that was such a work of art.\n\nDWOSKIN: I recall also that at one time I did later use a fabric--damask--on the\nback of the office surrounding the bimah. Bimah? No, not bimah, but surrounding\nthe ark, which styled it up ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=960.0,990.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"quite a bit.\n\nKUHN: I gather your father painted the ark at the Washington Street [synagogue], too?\n\nDWOSKIN: Yes, my dad did all the painting in connection with all the artwork in\nthe synagogue, the Washington Street synagogue. After my dad passed away 44\nyears ago, I redecorated the synagogue. I copied the same color scheme and\nworked around the murals and touched up the marbleizing ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=990.0,1020.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that was damaged due to\nage, which was done about 25 years after he first did it. We did quite a bit of\nsynagogue work, Shearith Israel Synagogue down the street, on Washington Street.\nWe decorated The Temple on Peachtree Street. My dad was living at the time,\nwhich was around 50 years ago. It is quite an elaborate, Reform synagogue, ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1020.0,1050.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"still\nis noted to be one of the . . . I don't want to talk about the Reform temple.\nI'm talking about AA Synagogue.\n\nKUHN: Would people come by and watch this building being constructed, or would\nthere be crowds and on-lookers?\n\nDWOSKIN: The members of that as I recall, who were interested in it, the leading\nmembers--I'm sure Joe Cuba can give you the names of them--used to come by all\nthe time, especially on Sundays--during the week too--to see the progress of the\nwork, ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1050.0,1080.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"especially when the decorating was going on. We had to really keep them\nout because somebody might get hurt. Mr. Morris Lichtenstein, as I recall, was\nthe number one man in charge. He was chairman of the building committee. Mr.\n[Gus] Berman, president of the Excelento Medicine Company, was co-chairman, as I\nrecall. They were all most interested, and had their problems in raising the\nmoney to pay for the project.\n\nKUHN: You still couldn't really see what ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1080.0,1110.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the dome looked like because of all the scaffolding.\n\nDWOSKIN: You could see through the scaffolding what the dome was looking like,\nbut you couldn't visualize how nice it was until you removed all the\nscaffolding. There were tons of lumber that had to be taken out. It was really attractive.\n\nKUHN: Was there a public unveiling of the . . . ?\n\nDWOSKIN: They had a formal opening, but I'm not too much on that. I think maybe\nyou can get that information from Joe Cuba or Max Eplan [Sam Eplan]. I was ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1110.0,1140.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"13 or\n14 years old at the time.\n\nKUHN: Are you proud of what your father had done?\n\nDWOSKIN: I was very proud of him. He did some fine work in Atlanta and the\nSoutheast during his life, like the old Howard Theatre, which is a magnificent\ntheater--it's torn down now; the DeGive Opera House; and fine residential in\nAtlanta, Valley Road and Tuxedo Road. Every house that was built there of any\nsize, we decorated. ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1140.0,1170.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The Swan Home [House], which is quite a showplace in\nAtlanta, was done by us 50 years ago, and homes all throughout the South, and\nchurches too.\n\nKUHN: So he got a lot of prestige from this job, the synagogue.\n\nDWOSKIN: Yes, the synagogue brought us some other church work: Sacred Heart\nChurch in Atlanta, Catholic church; the First Presbyterian Church in\nChattanooga, Tennessee; the First Presbyterian Church in ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1170.0,1200.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Montgomery, Alabama:\nthe First Presbyterian Church in Charlotte, North Carolina; one in Americus,\nGeorgia, a Baptist church. We did quite a few churches. I know the synagogue was\nthe first one we did. I suppose my dad pointed to that with pride and helped us\nnegotiate those other jobs. Our forte was club work, like the Cap[itol] City\nClub and the Piedmont Driving Club, ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1200.0,1230.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the [Jewish] Progressive Club here in\nAtlanta, and the Mayfair Club in Atlanta. Most were Christian clubs. Fifty years\nago, Jewish people weren't as wealthy as they are today, so we didn't start\ndoing a lot of Jewish work until maybe 35, 40 years ago. We were very fortunate.\nWe had a lot of good friends and a lot of good architects that supported us. We\ntried to live up to that reputation in doing department stores and restaurants.\n","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1230.0,1260.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We did have that reputation. Ninety-five percent of the work was on a\nnon-competitive basis and on our reputation, which I'm still very proud of,\nalthough I'm not in business today.\n\nKUHN: What was your job on the synagogue, as a kid?\n\nDWOSKIN: I was a helper. The original synagogue?\n\nKUHN: Yes.\n\nDWOSKIN: Just a helper. I did some of the priming. I helped fill in some stencil\nwork as I did later on, until I was about 20 years old. Then I quit doing work\nby hand and did the ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1260.0,1290.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"business end of the work. My father did the actual painting\nand decorating until he passed away 45 years ago.\n\nKUHN: You made a point that I think is kind of interesting, that 50, 60 years\nago, the Jewish community was not as wealthy . . .\n\nDWOSKIN: That's right.\n\nKUHN: . . . as it is now. Maybe you could describe some of the communities down\nin the Washington Street area.\n\nDWOSKIN: Washington Street was a very fashionable street at that time, and the\nGerman-Jewish ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1290.0,1320.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"families of wealth, like Morris Rich, Sig Samuels, the Strausses--\nall had fine homes on Washington Street and Capitol Avenue. My dad did quite a\nbit of work for them. When they moved over to the Druid Hills section, most of\nour best customers were the Montags, the Riches, and [Oscar] Elsas--who owned\nthe Fulton Bag and Cotton Mill--were homes that he did.\n\nKUHN: So the German Jews ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1320.0,1350.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"lived on Washington Street . . .\n\nDWOSKIN: . . . then moved over to the Druid Hills area, and then later to the\nnorthwest area. By that time, I think that the German Jews of wealth sort of\nretired or didn't continue with their family, and rather, the AA-membership\nRussian Jews became the successful businessmen. I recall I. [Isadore] M.\nWeinstein, the founder of National Service Industries, ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1350.0,1380.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"telling me that the\nRussian Jews, without money, pulled themselves up by the bootstraps and became\nthe successful businessmen in Atlanta and throughout the country.\n\nKUHN: When you were a kid, where were the Russian Jews living? What kind of\nbusinesses did people have, all those Russian Jews?\n\nDWOSKIN: Most were merchants. Take my father-in-law, for instance. I've been\nmarried 55, 56 years. His name was Jacob Heiman. [He was a] very religious man.\nHe ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1380.0,1410.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"was a member of the synagogue many years before they moved on Washington\nStreet, and he was on the building committee. He owned the Boston Shoe Company,\na retail shoe outfit and had two or three stores. He bought a lot of real\nestate, mostly black real estate, which was cheaper in those days. The more\nsuccessful Jewish families that I recall were B. Clein, ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1410.0,1440.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"who was the forerunner\nof the Ellman Company and the Citizen's Jewelry Company, and Mr. H. Mendel, who\nowned H. Mendel Dry Goods Wholesale House. Mr. B. Clein was a pawnbroker with a\nlot of money. All of those were members of the AA synagogue.\n\nKUHN: And a lot of smaller tailors and . . .?\n\nDWOSKIN: . . . a lot of tailors. [They were] ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1440.0,1470.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"mostly store owners, grocery store\nowners, mostly shoe store owners, and tailors.\n\nKUHN: Today people have a hard time realizing that that was a thriving Jewish\ncommunity over where the [Atlanta-Fulton County] Stadium is today.\n\nDWOSKIN: Yes, the best Orthodox Jewish community was where the Atlanta Stadium\nis today. We lived there ourselves. Previously we lived on the ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1470.0,1500.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"further southeast\nsection, near Grant Park. A lot of Jews lived there, on Atlanta Avenue, Grant\nStreet, Cherokee Avenue, and Capitol Avenue. Almost all the Orthodox Jews were\non that side of town, the southeast section of Atlanta.\n\nKUHN: I gather there were a number of kosher butchers?\n\nDWOSKIN: Yes, they were on Capitol Avenue, as I recall. The Gilners, the\nMerlins, the ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1500.0,1530.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Golds, all had kosher butchers and kosher delicatessens there.\n\nKUHN: Bakeries too?\n\nDWOSKIN: Bakeries also. I forgot the name of the bakery, but I'm sure Joe Cuba .\n. . the Taylor family, T-A-Y-L-O-R, who later . . . Their family sold it. It is\nstill here.\n\nKUHN: Srochi?\n\nDWOSKIN: Mr. Morris Srochi was an ardent member of the AA Synagogue. I'm glad\nyou mentioned his name. He was a good contributor, the largest contributor to\nour ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1530.0,1560.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"new, present synagogue. Rabbi [Harry} Epstein and myself called on him. I\nknow he gave us a $50,000 donation, for which we named the Srochi Auditorium\nafter him. He owned Atlanta Baking Company, which was a very successful\nbusiness. He and his wife both worked there. [They] started the business from\nscratch and became quite wealthy from that operation, which they later sold to\nFlowers Baking Company.\n\nKUHN: There's a real ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1560.0,1590.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"sense, from what I gather from what you're saying, that\npeople of your father's generation really were venturing out there and starting\nup their businesses and becoming successful.\n\nDWOSKIN: That's right. By that time, a little later, after we went into\nbusiness, Mr. I. M. Weinstein founded Atlanta Linen Service right after World\nWar I. He happened to be a very close friend of mine, although he's 20 years\nolder than I am. He did tell me a lot about the history of Atlanta and ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1590.0,1620.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the\nJewish families of that type. He was a very dynamic person and the most\ncharitable Jewish man, I think, that lived in Atlanta. He taught a lot of us\nJews how to give charity, especially to Israel. His son, Milton Weinstein,\nsucceeded him as president of Atlanta Linen Service, which became the National\nService Industries. He's retired now, but he also carries out his father's . . .\n\nKUHN: . . . practice . . .\n\nDWOSKIN: . . . ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1620.0,1650.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"practice of being charitable. He's one of the leading Jewish men\nin Atlanta, in my opinion. Yes, the Jewish families started off with nothing.\nThey worked hard and became very successful. Most of them were charitable and\nmade wonderful citizens. I'm proud of my friends that are so successful. The\nDwoskins didn't do too bad, but nothing compared to ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1650.0,1680.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the Weinsteins.\n\nKUHN: I've also heard about the lions. You mentioned . . .\n\nDWOSKIN: I think what Rabbi Epstein has reference to . . . he came to Atlanta I\nthink right after I was married, a couple of years after I was married. The\nsynagogue was built about seven or eight years at that time. The original altar,\nas I recall, was designed by Mr. Hopson. [It was] made, I believe, in Cincinnati\n[Ohio]. It was ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1680.0,1710.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"shipped here like a piece of furniture and we had to paint it.\nNo, it was already painted, I'm sorry. I think that it was painted. It may have\nbeen, or may not have been. It had a pair of lions on each side at top of the\naltar that supported the Ten Commandments there, a plaque. The eyes were blue, I\nthink. The tongue that was sticking out was red, and the rabbi didn't like it\nparticularly. He got Mr. [Tobias] Borochoff, one of the wealthier members of the\nsynagogue, a very religious man . . . when he passed away, ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1710.0,1740.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Mrs. [Jennie]\nBorochoff inherited the Southern Wire and Iron Works, and she paid, I think,\n$25,000 or $15,000 to build a new ark. She wanted it in marble, but she couldn't\nafford it. She agreed that if my dad, Morris Dwoskin, would do the marbleizing\nof this altar, she'd go and donate that money to the synagogue. [This] was about\nthree or four years after the original one was installed, that the rabbi didn't like.\n\nKUHN: ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1740.0,1770.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/60","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"What was the reaction among people here to having a new altar?\n\nDWOSKIN: They liked it. They liked the altar. It was an improvement on the\noriginal . . . in much better taste.\n\nDWOSKIN: . . . tied the congregation membership together, modernized it somewhat\nslightly. Women were still up on a balcony at that time. I think they finally\nmoved down to the first floor 20 years later or25 years later. ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1770.0,1800.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/61","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"None of the\nfurnishings in the old synagogue, pews, were of quality enough to use in the\nnew, so I was co-chairman of the new synagogue. Joe Cuba was president and\nbuilding committee chairman. I was co-chairman and served as the coordinator of\nthe architectural work, arts, and sculpture work. We can go into that later on.\n\nKUHN: Those lions sound like they were ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1800.0,1830.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/62","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"quite something, with the eyes.\n\nDWOSKIN: The lions were kind of dramatic, but a little . . . I believe Rabbi\nEpstein thought they were too Orthodox. The new altar was done in more of a\nGeorgian, eighteenth-century manner, which was in much better taste, in my opinion.\n\nKUHN: I gather that there was quite a lot of excitement when ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1830.0,1860.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/63","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Rabbi Epstein first\ncame to town, on the first High Holy Days that he served. Do you remember any of that?\n\nDWOSKIN: Not too much. I think Joe Cuba would be much more qualified to answer\nthat question.\n\nKUHN: I've talked with other people who I'll be talking to.\n\nDWOSKIN: My wife was very religious. She was active in synagogue work and she\nwas honorary president of the Sisterhood. My daughter, Diane [Dwoskin]\nBernstein, was president of the Sisterhood two years ago. My ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1860.0,1890.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/64","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"wife taught my\nchildren, our children, to be religious. I wasn't religious. My dad wasn't\nreligious. He was a member of the Socialist Party.\n\nKUHN: Really?\n\nDWOSKIN: They believed in teaching Yiddish rather than Hebrew. I didn't grow up\nwith too much Hebrew education.\n\nKUHN: Maybe you could tell me a little bit about the Socialist Party activity or\nabout the Arbeiter Ring.\n\nDWOSKIN: That's right. Arbeiter Ring was the name of the organization he\nbelonged to.\n\n","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1890.0,1920.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/65","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I think he belonged to it mainly because his cronies belonged to it. He was very\nactive in that organization and helped decorate the little place they had on\nCapitol Avenue.\n\nKUHN: The Labor Temple?\n\nDWOSKIN: Labor Temple and things like that. He carried a union card. He sort of\nbelieved in that from his childhood, 1 suppose.\n\nKUHN: Sure.\n\nDWOSKIN: But he knew all about Hebrew. ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1920.0,1950.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/66","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"My dad could read Hebrew fluently. He\ncould print it and did magnificent printing of Hebrew, and Yiddish too.\n\nKUHN: I was going to ask, you mentioned that he had painted the Ten Commandments.\n\nDWOSKIN: That's right. Not only there, but he did that at The Temple. When we\ndid The Temple 50 years ago, he laid out all the Ten Commandments for Rabbi\nDavid Marx, who asked his advice about a lot of the architectural work in\nrelation to religious and symbolic matters.\n\nKUHN: ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1950.0,1980.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/67","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Even though he was not so religious himself, he took an interest in\nHebraic studies.\n\nDWOSKIN: He kept up with that because he knew a lot as a child in Russia. In\nfact, he told me his father wanted him to be a rabbi. It looked like every Jew\nin Russia wanted to be a rabbi. He didn't like that so he went to work as a sign\npainter, and that's where he learned the trade of mural painting and painting.\n\nKUHN: I was going to ask how he apprenticed, or did he apprentice to anybody, or\nhow did he ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1980.0,2010.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/68","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"learn the trade?\n\nDWOSKIN: He learned it working for painting and decorating contractors in Europe\nand then the same way in London, the same way in New York. He grew up, since\neight or ten years old, as an apprentice. He was quite knowledgeable.\n\nKUHN: What is involved in marbleizing?\n\nDWOSKIN: That's travertine marble around that mantel ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2010.0,2040.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/69","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"there that I had in my\nhouse, which I moved to this apartment. He did all that painting by hand. That's\nthe way they did it in Italy where they couldn't afford real marble. They did it\nin London, England, France, marbleized. They do it so beautifully, you can\nhardly tell it from real marble unless you tap on it with a piece of metal to\nsee whether it's wood or marble.\n\nKUHN: Is there a special kind of paint?\n\nDWOSKIN: No. Regular paint you use to paint an oil painting you use for ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2040.0,2070.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/70","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"marbleizing.\n\nKUHN: What is the key really, to do it?\n\nDWOSKIN: It's all done with free-hand with camel-hair brushes of different\nsizes. Everyone has their own technique. Papa could copy real marble. He'd take\na piece of real marble and he'd copy it exactly. Quite a few theaters,\nespeciallythe Howard Theater in Atlanta was a magnificent Italian structure.\nSome was marble and some was scagliola, which is done with a plaster. Most of\nwhat was marbleized by ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2070.0,2100.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/71","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"hand, my dad worked on for probably two years, along with\nother mechanics at W. E. Brown Decorating Company.\n\nKUHN: You said that he did some work on the Fox [Theater], as well as you did?\n\nDWOSKIN: We didn't get the job at the Fox. We did some repainting there, where\nwe copied the same scheme they had before. Fox Theater was purchased by Lucas\nand Jenkins, forerunner to Georgia Theater Corporation of Atlanta which at that\ntime owned the Fox Theater. ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2100.0,2130.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/72","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We did some repainting and refurbishing. We did all\nof that work. They owned maybe 100 theaters in the Southeast, and we did the\npainting on those theaters for them.\n\nKUHN: On the synagogue, do you recall your dad discussing the job with you at\ndinner time or anything like that?\n\nDWOSKIN: We discussed it. My mother used to discuss it because he used to do all\nthe drawing at night and do all the stencil work and cartouche, where you draw\nthe design freehand. Then you got to punch the lines with a ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2130.0,2160.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/73","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"needle, take a\nneedle and put it through a cork so you can . . . and my mother used to pounce\nit after you draw it. They worked for months on those stencils. I used to cut\nsome of the stencils out--he showed me how--with a stencil knife so they could\nbe applied to the ceilings for the various decoration.\n\nKUHN: Maybe you should explain it a little bit more because I don't entirely understand.\n\nDWOSKIN: A stencil is done. For instance, I mentioned about the Star of David\nwith scroll work and leaves ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2160.0,2190.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/74","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and lines. It's drawn freehand full-scale. Then that\nbrown wrapping paper, which it's drawn on, was perforated onto stencil paper,\nwhich is a heavy paper that's been varnished where it'd be stiff. Then it's cut\nout with a sharp stencil knife so when you apply it to the ceiling with thumb\ntacks, you take some powder pounce and pounce it ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2190.0,2220.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/75","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"onto the ceiling . . . a kind\nof contrast powder, which gave the painters and him an outline of what to fill\nin with. Then you fill in the base color. Then you freehand the shadows of the\nleaves, shadow the flowers; the Star of David, maybe put some gold or bronze\nleaf in the outline by hand so that it looks like hand-painted. Actually, it was\nstencil painted. Then to connect the various stencils in each corner there were\nthree or four ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2220.0,2250.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/76","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"one-inch lines joining them all together. It was quite an\nattractive way of doing theater work and church work in those days, and previous\nto that, for many, many years, hundreds of years.\n\nKUHN: Painstaking?\n\nDWOSKIN: Yes, labor was cheap enough. You could do it.\n\nKUHN: So your mother helped out punching the . . .\n\nDWOSKIN: She did that. That's the only thing she could do. She wasn't an artist.\nShe just punched the line for him. He went to take them to synagogue the next\nday and ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2250.0,2280.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/77","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"start filling in the decoration. We had about 25 mechanics working on\nthe job at the time. It was quite a large job.\n\nKUHN: Just for the painting.\n\nDWOSKIN: Yes.\n\nKUHN: Really?\n\nDWOSKIN: Yes. At least twenty-five men worked there for several months. They\ncouldn't afford the real architectural plaster work like The Temple has now. It\nhad been done by ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2280.0,2310.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/78","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"painting, which was a fraction of the cost of real plaster\nwork. The only plaster work on the old synagogue was the plaster cornices I\nmentioned before and the elaborate cornice around the dome, which was done not\nonly in run plaster but it also had dentil blocks and egg-and-darts.\nEgg-and-darts and dentil blocks are copies of architecture done back in the\nRoman days. It was at ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2310.0,2340.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/79","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"St. Peter's Cathedral, as a matter of fact. But most of\nthe architecture was designed in Rome, supplemented and revised by English architects.\n\nKUHN: That's interesting.\n\nDWOSKIN: Papa tried to make that look as much like plaster as he possibly. At\nThe Temple it's all done in all off-white, one color, where we used color to\nbring it out and shade it properly to give the ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2340.0,2370.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/80","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"desired effect.\n\nKUHN: Yes. I gather this project must have dominated your family for a period of time.\n\nDWOSKIN: We used it as our main source of advertising, so to speak, for club\nwork and church work.\n\nKUHN: I meant at that time.\n\nDWOSKIN: At that time, yes.\n\nKUHN: When it was being built it was in your house at night and he was working\nduring the day.\n\nDWOSKIN: That's right. After that he went along and did all this residential\nwork. He was custom-painting when he worked for ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2370.0,2400.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/81","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"W. E. Brown Decorating Company,\nand clubs-- various Christian clubs. Also, come to think of it, the first club\nthat we had here in Atlanta was the Jewish Progressive Club on Pryor Street. My\ndad decorated that club, which was quite the thing at that time. That was about\nthe same time that the synagogue was built.\n\nKUHN: ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2400.0,2430.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/82","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I've heard that in addition to being a work of art, this synagogue was\nalso a meeting place, especially for young people, especially during the High Holidays.\n\nDWOSKIN: That's true, but there again, Joe Cuba or Sam Eplan would be much more\nqualified. I didn't go to synagogue too much. I did go later, when I married . .\n. right before I married Mary--which was Mr. Hyman's middle daughter. I sat with\nhim, although I couldn't read Hebrew. It was a ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2430.0,2460.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/83","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"little embarrassing for me. Right\nnow at least, they have English with Hebrew so I can read it quite fluently.\n\nKUHN: Did you know that Rabbi Epstein was one of the people who introduced the English?\n\nDWOSKIN: Yes, I did. Rabbi Epstein was a marvelous person, a great rabbi. To me\nhe was the greatest in America. My wife was very closely related, working with\nRabbi Epstein and Reva [Chashesman Epstein], his wife. She was quite active in\nthe synagogue. Her whole life was wrapped up in the synagogue and ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2460.0,2490.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/84","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the Jewish\nhome. My daughter, Diane Bernstein, sort of followed in her footsteps, which I'm\nvery proud of. The only thing I worked with was when they come to doing\ndecorating or building a building in Atlanta, like for the Jewish Home,\nProgressive Club, the educational building for the AA Synagogue on 10th Street,\nI stayed active in that . . . and club work, like the Progressive Club, Mayfair\nClub, and Standard Club--Standard Town and Country Club.\n\nKUHN: When you ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2490.0,2520.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/85","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"say he was the greatest rabbi in America, what kinds of things\nare you referring to?\n\nDWOSKIN: I think he was a great leader of the Orthodox Jews, which then became\nthe Conservative Jews. Everybody respected him and Reva, his wife. They\nconducted themselves in a very high-class manner. I love Rabbi [Epstein] and\nReva very much. ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2520.0,2550.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/86","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So did the community.\n\nKUHN: What did he bring to the synagogue that hadn't been there before, or what\nwere some of his . . . ?\n\nDWOSKIN: I wouldn't be the one qualified to answer that.\n\nKUHN: I've enjoyed our visits very much. I've visited now four or five times.\n\nDWOSKIN: I had lunch with Rabbi Epstein last week. I still keep in close touch\nwith him because my wife passed away about five months ago. They were ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2550.0,2580.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/87","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"so\nfriendly with Mary and friendly with me, too. I want to keep in contact with\nthem. I think the rabbi is fond of me.\n\nKUHN: He was the person who referred me to you.\n\nDWOSKIN: I tried to help when the rabbi did his house, I tried to participate.\nCertain members, like Morris Hankin, helped build a house for him ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2580.0,2610.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/88","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"on Lenox Road.\nI did the decorating there for him. And other members pitched in and did their\nportion to show our appreciation of him.\n\nKUHN: Maybe we could move a little bit more in time . . .\n\nDWOSKIN: Can you hear your voice on this, too?\n\nKUHN: Just dimly.\n\nDWOSKIN: Because I want to hear.\n\nKUHN: I was ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2610.0,2640.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/89","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"thinking, without going into all the details of the artwork, maybe\nyou could talk about how the new building came to be and some of . . .\n\nDWOSKIN: That was before I was born.\n\nKUHN: Let's get to the new building and how this one came about.\n\nDWOSKIN: The Jewish families became more influential financially and socially.\nThey wanted a beautiful synagogue ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2640.0,2670.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/90","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"on the northwest section of town. I was a\nmember of the building committee, co-chairman. We first had to find a lot. We\nlooked everywhere. Finally [Abraham] \"Abe\" Srochi, the oldest son of Morris\nSrochi, found this lot on Northside Drive and Peachtree Battle Avenue. We\nthought certainly it would be restricted from us building. Jewish homes were\nrestricted in Atlanta to a great extent in the most fashionable ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2670.0,2700.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/91","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"area like Tuxedo Park.\n\nKUHN: Tell me about that just for a second.\n\nDWOSKIN: A lot of areas were restricted for Jewish homes, like Valley Road and\nTuxedo Road, which was called Tuxedo Park. We did all the decorating there, but\nno Jews had a home there until it finally broke down. I think Mr. [Louis\nGabriel] Regenstein had the first home there. He bought it through another\nperson by the name of Mr. Byrd . . . B-Y-R-D. They resented him coming there. ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2700.0,2730.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/92","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I\nknow I wanted to build a house in the northwest section of town. I had a fine\narchitect who designed the Inman House, that's the Swan House. Mrs. Inman said\nshe'll sell me the lot across the street, but my wife didn't want me to build\nthere on Andrews Drive. It was too far away from the synagogue, which was on\nWashington Street at that time. It was too far from the streetcar line. I had to\nbuild on Lenox Road, which is the northeast section of town. I built\ntoo fine a ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2730.0,2760.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/93","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"home. It was a beautiful house. This lot on Northside\nDrive and Peachtree Battle Avenue was available [now at 600 Peachtree Battle\nAvenue]. Next door was Mr. Post, a very famous lawyer who's still living. He\nlived next door [at 620 Peachtree Battle Avenue]. He didn't object to it. Across\nthe way there was Albert [Comer] Howell [at 601 Peachtree Battle Avenue],whose\nfamily owned that entire area during the Civil War days.\n\nKUHN: Howell Mill Road.\n\nDWOSKIN: Yes, Howell Mill Road is named ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2760.0,2790.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/94","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"after Mr. Howell's father, who was\neditor of the Atlanta Constitution.\n\nKUHN: Clark Howell.\n\nDWOSKIN: Clark Howell Sr. who we did the work for, and Clark Howell Jr. This was\nAlbert Howell, Clark Howell Sr.'s younger son. His wife still lives in that\nItalian house directly across the street from Rabbi [Harry] Epstein. He said\nhe'd love to have a synagogue in the area. He was very ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2790.0,2820.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/95","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"pro-minorities, I would\nsay. [He was] brought up that way. We were very fortunate to have this\nsynagogue. The next step was, after we bought the lot, was selecting the\narchitect. I butted into that part because I wanted a certain architect. There\nwere certain objections to the ones I wanted. Robert [and] Company name came up.\nThey were very famous architects, not so much on residential work and theaters,\nbut ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2820.0,2850.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/96","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"they were capable of doing--never did a synagogue--but they were capable of\ndoing one. They had a big staff, the largest architectural firm in the country.\n[They] did a tremendous amount of work in Washington, D.C. When they were\nselected, a committee was formed. We decided to have the committee . . . which\nincluded Rabbi Epstein and Joe Cuba; myself; Joseph Zaglin, who was president of\nthe synagogue at the time and just going out of office before Joe Cuba came in;\n","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2850.0,2880.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/97","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and one or two others. We visited synagogues in Cleveland, Ohio, St. Louis, New\nYork, Philadelphia and Dallas, Texas. We all enjoyed the trip very much. The one\nin Baltimore, Maryland was done by a very famous Jewish architect.\n\nKUHN: ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2880.0,2910.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/98","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You went on tour, pretty much.\n\nDWOSKIN: Yes, we went on tour. Then we got to lay out the plans. Mr. Andre\nSteiner was an architect at that time. He's the only one I know that's still\nwith the Robert [and] Company and was familiar with the synagogue. I had lunch\nwith him yesterday. He's expecting a call from you. He'll give you the\ninformation about the architectural work. I'll give you some highlights and\nhe'll elaborate on it. The first scheme they submitted--they were very ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2910.0,2940.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/99","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"modernist\narchitects--which was entirely too modern for myself and too modern for Joe\nCuba. I told him we want a modern building, but we want it a little bit on\ntraditional lines. The present structure is a very substantial structure. It was\nRobert [and] Company, architect, and J. A. Jones was the building contractor.\nThey're a very fine building contractor. They built all of Peachtree Center,\n[Hyatt] Regency Hotel. They're building the new Marriott Marquis Hotel and built\na lot of famous buildings throughout the ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2940.0,2970.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/100","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"country. [They were] given the job on a\ncompetitive basis. I knew the Jones family very well. They're from Charlotte\noriginally and moved to Atlanta. They did an excellent job of construction. The\narchitects were finicky about doing quality work that will last many, many\nyears. This building will last much, much more than a hundred years. The\nexterior of the building is done in ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2970.0,3000.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/101","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Indiana limestone. The dome, which is an\nartificial dome, but some of the members wanted a dome because the old synagogue\nwanted a dome. It's really not a modern way of doing a building, but it fits in\nvery nicely. It's done in bronze and anodized aluminum. I didn't want aluminum\nbecause I know Jewish people like gold, so I did it in gold anodized aluminum.\nIt's worked out ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3000.0,3030.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/102","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"very well and looks good from the exterior. The interior is\nLucite, clear. It's a little difficult to keep clean because you have to build a\nscaffold over it to wash it once in a while. In laying out the various . . . I\nwas interested in the sanctuary being done in good taste and practical. I used a\nvinyl textured ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3030.0,3060.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/103","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"wall covering on all the walls, which we sold. I was able to\ninclude it in the contract. It's still there from 28 years ago. It looks like\nthe day we put it on. The ark I had done in Italian travertine marble. I'll tell\nyou about the artwork later. The floor was done in a reversible ramp that I saw\nin a synagogue in Baltimore. ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3060.0,3090.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/104","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You walk down the aisle, down to a lower level, and\nthen it gradually comes up to the altar, so everybody sitting in the pews have a\nfull view of the stage, of the altar. Mr. Steiner will explain that to you. I\ninsisted on that. Although I wanted theater seats and carpets on the first\nfloor, I was overruled on that. Mr. Max Cuba and Joe Cuba wanted pews. They\nwanted them as close together as possible because they can sell more seats and\nhave money to pay for the synagogue. ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3090.0,3120.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/105","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We have oak pews, which I had American\nSeating Company design. At the end of each pew--it's not too noticeable, but if\nyou'll notice--there's a hand-carved Hebrew insignia in front of each pew. It's\nrepeated on the pews on the second floor, which were copied from the American\nSeating Company pews on the first floor and done by a local cabinetmaker. The\nfloor of the synagogue is real ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3120.0,3150.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/106","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"cork for acoustical purposes. The aisles have\ncarpets to give it a little more luxurious effect. I had a screen designed by\nRobert and Company for the background on the altar, and also done in\nquarter-sawed oak which I stained in kind of a deal wood color. The little\nprojections you'll notice . . . ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3150.0,3180.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/107","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I sold the committee on letting me put real\ngold, 24-carat gold leaf on it so it'll look like jewels. It looks just as\nbright today as it was the day we put it on and will still remain there as long\nas the synagogue is there. It's gold leaf, and it won't tarnish. There are two\ndoors for entry to the altar, which are done with . . . perfectly beautiful\nbecause you can't see them when the doors are closed, done on a fine-quality\nRixson ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3180.0,3210.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/108","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"hinge. They close very slowly and open very quietly. I think that's one\nof the features of the altar. The backdrop oak screen is in good taste. We have\na large membership. I think it's 1,800 families. We had to have sufficient pews\non the first floor and the entire balcony ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3210.0,3240.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/109","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"is filled with pews. In order to get\nmore pews and save money, we unfortunately had to eliminate the ladies' and\nmen's restroom and toilets on the upper floor of the balcony. Now if we have to\ngo to the restroom you have to walk down the steps of that tall building all the\nway to the basement. Unfortunately, they wanted to save further money. They\neliminated the restrooms behind the altar, which makes it a little inconvenient\nfor the rabbi and the choir to get ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3240.0,3270.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/110","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to the toilets or restrooms. The building was\nrunning into many millions of dollars. I think the final cost, including\nfurnishings, was around $3,250,000, as I recall. If you had to replace the\nbuilding today--I talked to Andre Steiner, the architect, at lunch the other day\nand he agrees with me--it will cost 15 to 20 million dollars. The floors of the\nlobby and ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3270.0,3300.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/111","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"corridor between the Srochi Auditorium and the synagogue are terrazzo,\ndone beautifully by U.S. Mosaic Tile Company. The walls in the lobby are done in\nItalian travertine marble. I had the ceiling in the entrance lobby covered with\n. . . instead of 24-carat gold leaf, which we couldn't afford, I used what we\ncall ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3300.0,3330.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/112","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Dutch gold . . . Dutch metal leaf. It looks like gold leaf. It's held up 28\nyears now and it looks like it will last another 25 years. I had placed plumbing\nfor a fountain--that I hoped would be donated by someone--at the ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3330.0,3360.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/113","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"approach to the\nsynagogue. I see that they have a fountain there which is not near as elaborate\nas [the one] I wanted. Maybe someday we can get someone to donate $100,000 and\nhave a beautiful fountain with architectural work, and name the courtyard for\nthat particular person. Unfortunately, we had to raise money for a synagogue. We\nhad to put plaques all over the ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3360.0,3390.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/114","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"building, but that's the only way. People like\nto have their name exposed, especially Jewish people. I don't see so many fine\nChristian churches with plaques all over them, but it's one of the necessary\nevils. Instead of using my donation, my wife very wisely advised me to buy pews,\nwhich--I bought 28 seats for the Dwoskin family--I think cost $42,000. I'd\nrather ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3390.0,3420.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/115","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"have it serve a better purpose to me than a plaque on a wall.\n\nKUHN: Was there competition for the pews and seats and so forth?\n\nDWOSKIN: All the pews have been sold. As long as we're a member of the\nsynagogue, we can still use our 28 seats, which includes two pews right in the\nmiddle of the synagogue. Now we have a large family so it worked out very well\nin my case.\n\nWe had to have a ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3420.0,3450.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/116","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"choir, which we didn't have in the old synagogue. You'll notice\nthat's on the right-hand side of the altar.\n\nOn the left-hand side, we counterbalanced that with some pews, which the\nAlterman family purchased. I prepared a booklet explaining every bit of the\nartwork, which included the traditional windows, contemporary windows in the\n","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3450.0,3480.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/117","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"main sanctuary, and the stained-glass windows for the chapel which depict the\nold city of Jerusalem. This work was executed by Perli Pelzig from Israel. He\nwas recommended to me by Mr. Thomas Makover, who was treasurer of the synagogue\nat that time and wanted to help him. He became famous by the work he did for the\nsynagogue. He did the stained-glass ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3480.0,3510.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/118","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"windows. He did the metallic mural called\nThe Procession in the lobby outside the Ellman Chapel. He did the ark doors in\nthe chapel which depict the Ten Commandments and the everlasting light above the\nark doors which depict, I think, ","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3510.0,3540.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/119","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"atoms circling the Earth some way or another.\nIt's the everlasting light. I believe that completes all the work that Perle\nPelzig did. He became famous and got some very substantial contracts in\nCalifornia through his work at the synagogue. He also became friendly with a\nfriend of mine, who was an artist and mural painter by the name of James Seeman,\n","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3540.0,3570.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/transcript/21982/annotation/120","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"S-E-E-M-A-N, who is now retired and does beautiful paintings. He coordinated all\nthe artwork for me through his contacts in New York. I had all this described in\ndetail, with pictures. I turned it over to someone 25 years ago.\n\nKUHN: I think it's important to try and find that.\n\nDWOSKIN: I talked to James Seeman in New York, and I talked to him again in\nMiami--he has a place in Miami. He says if I send him photographs . . .","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3570.0,3600.0"}]},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385","type":"AnnotationPage","label":{"en":["Annotations [Transcript]"]},"items":[{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/121","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eClifford Matthew “Cliff” Kuhn (1952-2015), a native of Princeton, New Jersey, served as an Associate Professor of History at Georgia State University for 21 years, from 1994 until his death. He was regarded as an expert on Southern history and oral history, and served as the first Executive Director of the Oral History Association from 2013 until his death. He also recorded hundreds of oral histories for the independent radio station WRFG, which he developed into his book \u003cem\u003eLiving Atlanta\u003c/em\u003e, and “This Day in History” pieces for the local NPR affiliate, WABE.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=0.0,30.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/122","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eMax M. Cuba (1903-1972) was born in New York and lived in Atlanta, Georgia. He was a Certified Public Accountant, community leader, and philanthropist. Max served as a city alderman several times, and was a leader on the Atlanta-Fulton County Joint Planning Board for over 30 years. He was also twice the president of the Atlanta Jewish Community Council, and a member of the Board of Directors of the Council of Jewish Federations and Welfare Funds. He was the “Man of the Year” for B’nai B’rith, Jewish War Veterans, and the Jewish Theological Seminary. He was the President of Ahavath Achim Congregation and B’nai B’rith. As he had no family of his own, his personal life was closely linked with the family of his brother, Joe Cuba, as he lived with him for some time.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=0.0,30.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/123","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Atlanta Cabana Motel was a 200-room motor hotel located at the southwest corner of Peachtree Street and 7th Street in Midtown Atlanta. It opened in 1958 and was razed in 2002. The site is now occupied by the 28-floor Spire residential tower. The Cabana was Atlanta’s first major new hotel in 30 years as well as a pioneer in the concept of motor hotels, that is, motel-like facilities in cities, as opposed to alongside highways between cities. It was recognized as a prime example of modern motor hotel architecture. It was one of many flashy hotels developed by casino mogul Jay Sarno, who also developed Caesar's Palace. Jay Sarno and Stanley Mallin met Jimmy Hoffa. The union leader liked Sarno and Mallin’s willingness to become successful businessmen, and he introduced Sarno and Mallin to Allen Dorfman, who loaned Sarno and his friend money, allowing them to open the Atlanta Cabana Motel.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=0.0,30.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/124","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eAhavath Achim Synagogue was founded as an Orthodox congregation in 1887 in a small room on Gilmer Street. In 1901 they moved to a permanent building at the corner of Piedmont Avenue and Gilmer Street. In 1921, the congregation constructed a synagogue at Washington Street and Woodward Avenue. It joined the Conservative movement in 1952. The final service in the Washington Street building was held in 1958 to make way for construction of the Downtown Connector (the concurrent section of Interstate 75 and Interstate 85 through Atlanta). The synagogue moved to its current location on Peachtree Battle Avenue in 1958. As of 2021, Ahavath Achim is the largest Conservative synagogue in the Atlanta area and its current Senior Rabbi is Laurence Rosenthal.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=0.0,30.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/125","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eMorris Dwoskin (1878-1938) was the founder of Dwoskin \u0026amp; Sons, an Atlanta based wallpaper company which specialized in wall painting, murals, and interior design for clubs, churches, synagogues and expensive homes. Morris immigrated to Atlanta from Russia.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=30.0,60.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/126","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eMarbleizing or faux marbling is the preparation and finishing of a surface to imitate the appearance of polished marble. It is typically used in buildings where the cost or weight of genuine marble would be prohibitive. Faux marbling is a special case of faux painting used to create the distinctive and varied patterns of marble.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=30.0,60.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/127","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Sistine Chapel is a chapel in the Apostolic Palace, the official residence of the Pope, in Vatican City. Originally known as the “Cappella Magna,” the chapel takes its name from Pope Sixtus IV, who oversaw its restoration between 1477 and 1480. Since that time, the chapel has served as a place of both religious and functionary papal activity. Today it is the site of the Papal conclave, the process by which a new pope is selected. The fame of the Sistine Chapel lies mainly in the frescos that decorate the interior, and most particularly the Sistine Chapel ceiling and “The Last Judgment” by Michelangelo.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=60.0,90.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/128","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eMorris Lichtenstein (1868-1926) was born in Bauska, Courland, Russia (now Latvia), the son of J. B. and Hindy Lichtenstein. He emigrated to Baltimore, Maryland in 1890, and settled in Atlanta in 1892. In 1913 he entered the insurance and loan business and organized the Mutual Savings Company, later known as Morris Lichtenstein \u0026amp; Company, General Insurance \u0026amp; Loans. Other interests were the Montefiore Relief Association, the Morris Lichtenstein Free Loan Society, the Jewish Educational Alliance, and the Federation of Jewish Charities. Lichtenstein was chairman of the Free Loan Fund that was founded in the 1890s and renamed the Morris Lichtenstein Free Loan Fund as a tribute after his death. The Free Loan Fund was an important source of capital for Jewish merchants. It became a functional department of the Federation of Jewish Charities in 1912, the forerunner of the Jewish Federation of Greater Atlanta, and helped Jewish Atlantans well into the depression years, when it disappeared.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=330.0,360.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/129","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eAccording to Jewish tradition, the “Ten Commandments” are ten categories that contain 613 \u003cem\u003emitzvot\u003c/em\u003e (Hebrew: commandments). The ten categories are significant because they form the basis of man’s relationship with God and man’s relationship with his fellow people. While God directly gave the Ten Commandments to the Jewish people, it was Moses, who also led the Hebrew slaves out of Egypt, that received the tablets and brought them down from Mount Sinai.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=480.0,510.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/130","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe \u003cem\u003eMagen David\u003c/em\u003e (Hebrew: Shield of David), or as it is more commonly known, the Star of David, is the symbol most commonly associated with Judaism today.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=510.0,540.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/131","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003ePouncing is an art technique used for transferring an image from one surface to another. The most common method involves laying semi-transparent paper over the original image, then tracing along the lines of the image by creating pricked marks on the top sheet of paper. This pounced drawing made of pricked holes is laid over a new working surface. A powder such as chalk, graphite or pastel is forced through the holes to leave an outline on the working surface below, thus transferring the image.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=540.0,570.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/132","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eCartouche is an architectural term meaning a rounded, convex surface, usually surrounded with carved ornamental scrollwork, for receiving a painted or low-relief decoration, as an escutcheon.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=540.0,570.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/133","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe \u003cem\u003ebimah\u003c/em\u003e, in Jewish synagogues, is a raised platform with a reading desk from which the Torah and haftorah are read. \u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=600.0,630.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/134","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eLithuanian-born Rabbi Abraham P. Hirmes (1888–1946) led Ahavath Achim Synagogue from 1919 to 1928. Rabbi Hirmes originated the Sisterhood with his wife, whose immediate projects were focused on raising money for the building fund for the synagogue at the corner of Washington Street and Woodward Avenue. About this time, there was an official name change of the congregation from “Ahawas Achim” to “Ahavath Achim.” It was also during this period that Bible School, Junior Congregation, and late Friday night services developed. Rabbi Hirmes studied at the Slobodka Yeshiva in Lithuania and pursued his rabbinical ordination at Yeshiva University-affiliated Rabbi Isaac Elchanan Theological Seminary in New York.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=630.0,660.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/135","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eCharles H. Hopson (1861-1941) was a church architect born in Reading, England. He settled in Atlanta, Georgia in 1915 after living in Nova Scotia; Selma, Alabama; and Pensacola, Florida. In Atlanta, he designed the Ahavath Achim Synagogue in addition to the Rock Spring Presbyterian Church on Piedmont Road, the Ponce de Leon Methodist Church on Piedmont Road, St. Paul’s Presbyterian Church on Ponce de Leon, and Peachtree Christian Church on Peachtree Road.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=660.0,690.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/136","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eFirst Church of Christ, Scientist is the main congregation for Atlanta, Georgia’s Christian Science community. Its historic Greek revival church edifice is located on the corner of Fifteenth Street, N.E., and Peachtree Street in the city's Midtown section and is a contributing property in the Ansley Park Historic District. Completed in 1914, it was designed by architect Arthur Neal Robinson, Sr. (1886-1958), who was also a member of the congregation. It was not designed by Charles Hopson, as Mr. Dwoskin states.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=690.0,720.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/137","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003ePeachtree Christian Church is a member of the Christian Church (Disciples of Christ) denomination. It was founded as a congregation in 1925, and its building, on the corner of Peachtree and Spring Streets in Midtown Atlanta, was completed in 1928. It was designed by architect Charles H. Hopson, as Mr. Dwoskin states.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=690.0,720.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/138","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Temple, or “Hebrew Benevolent Congregation,” is Atlanta’s oldest Jewish congregation. The cornerstone was laid on the Temple on Garnett Street in 1875. The dedication was held in 1877 and the Temple was located there until 1902. The Temple’s next location on Pryor Street was dedicated in 1902. The Temple’s current location in Midtown on Peachtree Street was dedicated in 1931. The main sanctuary is on the National Register of Historic Places. The Reform congregation now totals approximately 1500 families. As of 2021, its Senior Rabbi is Peter S. Berg.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=690.0,720.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/139","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eGilmer Street\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=750.0,780.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/140","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eJoseph “Joe” Cuba (1909-1993), a native of Atlanta, Georgia, was a Certified Public Accountant and an Attorney-at-Law. In 1932, he assumed the presidency of the Southern Young Judaea Society, and after that time he actively participated in the leadership of Ahavath Achim Congregation, the Jewish Progressive Club, the Gate City Lodge of B’nai B’rith, the Southeastern Region United Synagogue of America, the Jewish Theological Seminary, the Atlanta Bureau of Jewish Education, the Jewish Home, the Standard Club, the Atlanta Jewish Federation, Jewish War Veterans, and the Georgia State University Alumni Association. During World War II, he enlisted in the Army Air Force. Joe Cuba founded the Max M. Cuba \u0026amp; Company (an accounting firm) with his brother, Max Cuba.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=780.0,810.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/141","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eMichelangelo di Lodovico Buonarroti Simoni (1475-1564) was an Italian sculptor, painter, architect, and poet of the High Renaissance who is considered to be the greatest living artist during his lifetime. His most famous sculptures are the Pietà and David. Michelangelo also created two of the most influential frescoes in the history of Western art: the scenes from Genesis on the ceiling of the Sistine Chapel in Rome, and The Last Judgment on its altar wall.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=930.0,960.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/142","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eIn every synagogue, the \u003cem\u003eTorah\u003c/em\u003e scrolls are kept in a cabinet called the holy ark. During services the scrolls are removed from the ark and prayers/songs/scriptures are recited as the scrolls are carried amongst the congregation. When they are completed, the \u003cem\u003eTorah\u003c/em\u003e scrolls are returned to the ark.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=960.0,990.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/143","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eFounded in 1904, Congregation Shearith Israel began as a congregation that met in the homes of congregants until 1906 when they began using a Methodist church on Hunter Street. After World War II, Rabbi Tobias Geffen moved the congregation to University Drive, where it became the first synagogue in DeKalb County. In the 1960s, they removed the barrier between the men’s and women’s sections in the sanctuary, and officially became affiliated with the Conservative movement in 2002. As of 2021, the current Senior Rabbi of the congregation is Ari Kaiman.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1020.0,1050.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/144","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eAugustus “Gus” Berman (1880-1945) was an Atlanta resident and president and co-founder of Excelento Medicine Company, manufacturer of perfume and cosmetics. He was a native of Kovno, Russia (now Lithuania). He was a charter member of the Progressive Club, a member of the Fulton Masonic Lodge, and a member of Ahavath Achim Synagogue.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1080.0,1110.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/145","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eSamuel Leon Eplan (1896-1984) was a major presence in the Atlanta Jewish community throughout his life. He was born in Atlanta into a large family of six brothers and three sisters. His brothers were also prominent in the Jewish community life. His father was initially a peddler and then a grocer. He attended the first class of the Emory Law School and joined a Jewish fraternity. He later went on to become a prominent attorney in Atlanta. He married Bess Abelson. He was also active in all the Jewish clubs in the area and the Ahavath Achim congregation.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1110.0,1140.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/146","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Paramount Theater, located on Peachtree Street in downtown Atlanta, Georgia, opened in 1920 as the Howard Theater. In 1929, the name changed to the Paramount Theater. The building was demolished in 1960.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1140.0,1170.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/147","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eLoew's Grand Theater, originally DeGive's Grand Opera House, was a movie theater at the corner of Peachtree and Forsyth Streets in downtown Atlanta. It was most famous as the site of the 1939 premiere of \u003cem\u003eGone with the Wind.\u003c/em\u003e The Georgia-Pacific Tower was built on the former site of the theater.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1140.0,1170.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/148","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Swan House was built in 1928 for Edward and Emily Inman in Atlanta, Georgia. The Inmans had accumulated wealth from cotton brokerage and investments on transportation, banking, and real estate. The house and grounds were acquired by the Atlanta Historical Society in 1966. Designed by prominent Atlanta classical architect Philip T. Shutze (1890-1982), it is operated as part of the Atlanta History Center and is maintained as a 1920s and 1930s historic house museum, with many of the Inmans' original furnishings.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1170.0,1200.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/149","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Basilica of the Sacred Heart of Jesus is a Roman Catholic basilica in Downtown Atlanta, Georgia. Founded in 1880, the parish originally known as Sts. Peter and Paul, which was later changed to \"Sacred Heart Church.\" The basilica's current building, designed by architect Walter T. Downing (1865-1918), was consecrated in 1897 and is listed on the National Register of Historic Places. It is the oldest Catholic parish in the Atlanta area.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1170.0,1200.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/150","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe First Presbyterian Church, founded in 1840, is home the oldest Christian congregation in Chattanooga, Tennessee. Its current building on McCallie Avenue was designed by famous New York architect Stanford White (1853-1906) and completed after his death in 1910. It is part of the Presbyterian Church of America (PCA) denomination.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1170.0,1200.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/151","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Church at Chantilly is a church in Pike Road, Alabama, a suburb of Montgomery, and part of the Presbyterian Church of America (PCA). Until 2017 it was known as the First Presbyterian Church of Montgomery. The congregation traces its history to 1821, and its original building in Downtown Montgomery, built in 1824, was the first permanent Christian house of worship in the city.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1170.0,1200.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/152","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Piedmont Driving Club is a prestigious private social club located adjacent to Piedmont Park that was founded in 1887. New members have to be vouched for by three current members. The club prohibited Jewish and Black membership for most of its history, although today there are a few Black, Jewish, and other ethnic minority members.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1200.0,1230.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/153","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Capital City Club is a private social club founded in Atlanta in 1883. It is among the oldest social organizations in the South. The Club presently operates three facilities, the oldest of which, the downtown Atlanta club. The Capital City Country Club, located in Brookhaven, was leased in 1913 and purchased in 1915. In the autumn of 2002 an additional club facility, the Crabapple Golf Club, was completed in the city of Milton, in the northern portion of Fulton County.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1200.0,1230.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/154","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eFirst Presbyterian Church is a historic Presbyterian church located at 200 W. Trade Street in Charlotte, North Carolina. The congregation was founded in 1821 and has occupied the same lot in Downtown Charlotte since that time. Designed by architect Sidney Reading, its current building was erected in 1895. It was added to the National Register of Historic Places in 1982. The congregation is affiliated with the Presbyterian Church (USA) denomination.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1200.0,1230.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/155","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Progressive Club was a Jewish social organization in Atlanta, Georgia. It was established in 1913 by Russian Jews who felt unwelcome at the Standard Club, where German Jews were predominant. At first the club was located in a rented house until a new club was built on Pryor Street including a swimming pool and a gym. In 1940 the club opened a larger facility at 1050 Techwood Drive in Midtown with three swimming pools, tennis and softball. In 1976 the club moved north to 1160 Moore’s Mill Road near Interstate 75. The property was eventually sold to the YMCA as the club faced financial challenges. The Carl E. Sanders Family YMCA at Buckhead, which stands on the former site of the Progressive Club, opened in 1996.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1230.0,1260.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/156","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Mayfair Club opened in 1938 at 1456 Spring Street in Midtown Atlanta. The two-story club was a focal point of Jewish life in the city for more than 25 years. The club was founded in 1930 and first met at the Biltmore Hotel. Eleanor Roosevelt, Israeli Prime Minister Golda Meir, mayors Ivan Allen and William Berry Hartsfield, senators Herman Talmadge and Richard Russell, and Governor Carl Sanders visited the club. A Fire destroyed the Mayfair Club on December 4, 1964.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1230.0,1260.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/157","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eMorris Rich (1847-1928), was the anglicized name of Mauritius Reich, a native of Hungary. He was the founder of Rich's, a department store retail chain headquartered in Atlanta that operated in the southern United States from 1867 until 2005. The store was founded on May 28, 1867, as M. Rich Dry Goods by the 20-year-old Morris Rich with only $500 in capital. In 1877 Morris’ brother Emanuel entered the business and the name of the store was changed to M. Rich and Brother, followed by Daniel in 1884, when the store was again renamed as M. Rich and Brothers. On January 12, 1901, a charter for incorporation was granted, and the firm became M. Rich and Brothers Company. Morris Rich was elected president at a meeting of stockholders on January 18, 1901. \u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1320.0,1350.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/158","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eSigfried \"Sig\" Samuels (né Schmul, 1875-1962), a native of Germany, was the owner of Sig Samuels Dry Cleaners in Atlanta, Georgia. He was a member of The Temple, B’nai B’rith, and the Standard Club.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1320.0,1350.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/159","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eDruid Hills is an affluent neighborhood in the city of Atlanta, Georgia, and the only neighborhood lying completely in DeKalb County. The main campus of Emory University and the Centers for Disease Control and Prevention (CDC) are located in Druid Hills. Druid Hills was designed by Frederick Law Olmsted and was one of his last commissions. A showpiece of the design was the string of parks along Ponce de Leon Avenue, which was designated as Druid Hills Parks and Parkways and listed on the National Register of Historic Places on April 11, 1975. The remainder of the development was listed on the Register as the Druid Hills Historic District on October 25, 1979.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1320.0,1350.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/160","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eOscar Elsas (1871-1924), a native of Atlanta, Georgia, was the son of Jacob and Clara Stahl Elsas. Jacob Elsas was the founder of Fulton Bag and Cotton Mill, a business which opened its doors on Decatur Street in 1881, and which would eventually become the largest employer in Atlanta. Oscar Elsas became president of Fulton Bag and Cotton Mills following the retirement of his father, Jacob. Oscar Elsas was a member of the first graduation class of the Georgia School of Technology (now Georgia Institute of Technology, commonly referred to as Georgia Tech). He gained prominence as President of the Fulton Bag and Cotton Mill when workers went out on strike from 1914 to 1915 as a result of his refusal to recognize Local 886 of the United Textile Workers of America union.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1320.0,1350.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/161","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eFulton Bag and Cotton Mills is a formerly operating mill complex located in the Cabbagetown neighborhood of Atlanta. The beginnings of the company can be traced to 1868, when Jacob Elsas, an immigrant of German Jewish descent who had recently arrived in Atlanta from Cincinnati, began work in the rag, paper, and hide business. Elsas soon recognized the need for cloth and paper containers for their goods. Within two or three years Elsas had switched to manufacturing cloth and paper bags and joined forces with fellow German Jewish immigrant Isaac May. Construction of the complex began in 1881 on the south side of the Georgia Railroad line, east of downtown Atlanta. The site now includes apartments and condominiums. (2021)\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1320.0,1350.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/162","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eNational Service Industries was founded in 1962 with the merger of two established Atlanta companies, National Linen Service and ZEP Manufacturing Company.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1350.0,1380.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/163","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eIsadore Milton “I.M.” Weinstein (1887-1954) was an Atlanta businessman who was born in New York City and raised in Cleveland, Ohio. In 1919, he founded the National Linen Supply Company, which expanded and eventually grew into National Service Industries.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1350.0,1380.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/164","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eEllman’s was a catalog merchant based in Smyrna, Georgia.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1440.0,1470.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/165","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eCitizens Jewelry was founded in 1912 by Michael Ellman. He operated the business along with his son Harold S. Ellman. The business started as Citizens Loan Association and Citizens Jewelry and Loan Company before its name change to Citizens Jewelry.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1440.0,1470.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/166","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eHyman Mendel (1872-1954) was a Jewish immigrant from Lithuania. He came to the United States at the age of nineteen and established H. Mendel \u0026amp; Co. initially working as a peddler around Atlanta. Once he was able to purchase a horse and wagon, he was able to expand his business. In 1892 he opened his first store on Decatur Street in downtown Atlanta. By the turn of the twentieth century, H. Mendel \u0026amp; Co. became the city's biggest dry-goods wholesaler. In 1913 Mendel built his own three-story building on Gilmer Street. In 1921, the business moved to Pryor Street where it remained for more than 40 years. Generations of merchants throughout the southeast trace their start to their relationship with H. Mendel \u0026amp; Co. and credit extended to them from Hyman Mendel. He was a founder and former president of Ahavath Achim, a member of B’nai B’rith, and is counted as one of the businessmen who helped shape Atlanta.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1440.0,1470.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/167","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eAtlanta–Fulton County Stadium, often referred to as “Fulton County Stadium” and originally named “Atlanta Stadium,” was built to attract a major league baseball team. In 1966 it succeeded when the Milwaukee Braves relocated from to Atlanta. The stadium was built on the site of the cleared Washington-Rawson neighborhood, which had been a wealthy area and home to much of Atlanta’s Jewish community. The Braves continued to play at Fulton County Stadium until the end of the 1996 season, when they moved into Turner Field, the converted Centennial Olympic Stadium originally built for the 1996 Summer Olympics. That stadium, in turn, was renovated and renamed Georgia State Stadium in 2016, and Center Parc Stadium in 2020. Fulton County Stadium was demolished in 1997. A parking lot for Center Parc Stadium now (2021) stands on the site.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1470.0,1500.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/168","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eOrthodox Judaism is a traditional branch of Judaism that strictly follows the written \u003cem\u003eTorah\u003c/em\u003e and the oral law concerning prayer, dress, food, sex, family relations, social behavior, the Sabbath day, holidays, and more.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1470.0,1500.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/169","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eA historic neighborhood of Atlanta that was formed around Grant Park, the fourth largest park in the city. It had two major attractions: Zoo Atlanta and the Atlanta Cyclorama, a cyclorama featuring the 1864 Battle of Atlanta during the Civil War.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1500.0,1530.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/170","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Taylor Baking Company in Atlanta was owned by Charles Taylor, the father of Herbert Taylor (the benefactor and namesake of this oral history collection). It was located at 351 Capitol Avenue.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1530.0,1560.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/171","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eA native of Poland, Morris Srochi (1874-1960) learned the baking trade before coming to the United States in 1883. He and his wife, Dora Srochi, founded the Atlanta Baking Company where they sold Sunbeam bread, among other products. Srochi was active in B’nai B’rith, the Atlanta Jewish Welfare Fund, and Ahavath Achim where he endowed the Educational Center’s auditorium in the former 10th Street location and the assembly area in the current location on Peachtree Battle Avenue.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1530.0,1560.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/172","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eFlowers Foods was founded in 1919 when two brothers - William Howard and Joseph Hampton Flowers - opened Flowers Baking Company in Thomasville, Georgia. In 1968, Flowers Baking Company went public, became Flowers Industries, and began trading over-the-counter stock. In the mid-1990s, Flowers Industries acquired Keebler Foods Company, one of the largest cookie and cracker companies in the United States, and Mrs. Smith's, the country's top-selling frozen pie brand. In 2001, Flowers sold Keebler to the Kellogg Company and Flowers' remaining business units - Flowers Bakeries and Mrs. Smith's Bakeries - were then spun off into a new company called Flowers Foods.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1560.0,1590.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/173","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eDora Haber Srochi (1869-1939)\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1560.0,1590.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/174","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eRabbi Harry Hyman Epstein (1903-2003) served as rabbi of Ahavath Achim Synagogue in Atlanta, Georgia from 1928 to 1982, when he became rabbi emeritus. Under Rabbi Epstein, the formerly Orthodox congregation began to shift to Conservative Judaism, and officially joined the United Synagogue of America (now the United Synagogue of Conservative Judaism), in 1952.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1560.0,1590.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/175","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eAtlanta Linen Supply Company was founded on April 1, 1919 by I.M. Weinstein. In 1928, the company changed its name to National Linen Service Corporation. The company grew into the largest textile rental company in the United States by the late 1950s having acquired similar companies in 24 states. National Linen Service merged with ZEP Manufacturing, acquired the Atlanta Envelope Company, and the merged company changed its name to National Service Industries.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1590.0,1620.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/176","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eTobias Borochoff, (1874-1933), an Atlanta businessman and a native of Russia, was the co-founder of Southern Wire and Iron Works in Atlanta, along with his son Isadore Brochoff. Southern Wire and Iron Works supplied amphibious tanks to the United States Navy during World War II. Tobias Borochoff was a founding member of Ahavath Achim Synagogue.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1710.0,1740.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/177","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Worker’s Circle (formerly Workmen's Circle) or Arbeiter Ring is a Yiddish language-oriented American-Jewish organization committed to social justice, Jewish community, and Ashkenazi culture. It provides old age homes for its aging members, as well as schools, camps, affordable health insurance and programs of concerts, lectures and holiday celebrations. It was founded in 1900 and was strongly socialist politically. It has moved more to the right on the American political spectrum in modern times.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1890.0,1920.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/178","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Socialist Party of America was a socialist political party in the United States from 1901 to 1972. In early 1919, it had 100,000 members. Key figures included Eugene V. Debs, Norman Thomas, and Max Shactmann.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1890.0,1920.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/179","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eRabbi Dr. David Marx (1872-1962) was a long-time rabbi at the Temple in Atlanta, Georgia. A native of New Orleans, he led the congregation’s move toward the practices of Reform Judaism. He served as rabbi from 1895 to 1946. When he retired, Rabbi Jacob Rothschild took the pulpit that Rabbi Marx had held for more than half a century.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1950.0,1980.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/180","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003e\u003cem\u003eScagliola\u003c/em\u003e (derived from the Italian word \u003cem\u003escaglia\u003c/em\u003e, meaning “chips”) is a technique for producing stucco columns, sculptures, and other architectural elements that resemble inlays in marble and semi-precious stones.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2070.0,2100.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/181","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Fox Theatre is located on Peachtree Street in Midtown Atlanta. The theater was originally planned as part of a large Shrine Temple as evidenced by its Moorish design. The theater was ultimately developed as a lavish movie palace, opening in 1929. The auditorium replicates an Arabian courtyard under a night sky of flickering stars and drifting clouds. The Fox Theatre now hosts cultural and artistic events, and concerts by popular artists.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2100.0,2130.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/182","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eReva Chashesman Epstein (1905-2001) was the well-educated daughter of an Orthodox rabbi. Her family immigrated to Chicago, Illinois from Poland after World War I. In 1929, she married Rabbi Harry Epstein. She was extremely active in her husband's synagogue, Congregation Ahavath Achim in Atlanta, throughout her entire adult life.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2460.0,2490.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/183","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eMary Heiman Dwoskin (1907-1983)\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2550.0,2580.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/184","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eMorris Hankin (1898-1951) was an Atlanta businessman in the arcade, vending, and coin business, and owner of Hankin Music and Cigarette Company.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2580.0,2610.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/185","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eAbraham David “A.D.” Srochi (1887-1979) operated the Atlanta Baking Company along with his father Morris Srochi, who founded the business, and his brothers Jacob and Sidney.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2670.0,2700.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/186","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eLouis Gabriel Regenstein, Jr., (1912 -1994), an Atlanta attorney, was born to Louis (1878-1962) and Lavinia Liebman Regenstein (1878-1960). His father’s family ran a high-end women’s clothing shop called Regenstein’s, which was founded by his grandfather Julius Regenstein and was sold in 1976.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2700.0,2730.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/187","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003ePhilip Trammell Shutze (1890–1982) was an American architect. He became a partner in 1927 of Hentz, Adler \u0026amp; Shutze. Working mostly in Atlanta, Georgia, he was known for his neo-classical architecture.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2730.0,2760.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/188","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eAllen Post (1906–1986) was an Atlanta attorney and co-founder of the Atlanta law firm Hansell \u0026amp; Post. He served as Special Attorney General for Georgia in 1933 and 1935 and as Assistant Attorney General assigned to the Georgia Public Service Commission in 1934.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2760.0,2790.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/189","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eAlbert Comer Howell (1904-1974) was an Atlanta architect. He was the son of Clark Howell (1863-1936).\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2760.0,2790.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/190","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eHowell Mill Road in Atlanta derives its name from a grist and sawmill established by Judge Clark Howell (1811- 1882). The original site of Howell’s Mill was located just west of where the road bearing its name crosses the Peachtree Creek. At one point, the Howell family holdings spread over 4,000 acres in the area.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2760.0,2790.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/191","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Atlanta \u003cem\u003eJournal-Constitution\u003c/em\u003e (AJC) is a major daily newspaper in the metropolitan area of Atlanta, Georgia. The newspaper is the result of the merger between The Atlanta \u003cem\u003eJournal\u003c/em\u003e and The Atlanta \u003cem\u003eConstitution\u003c/em\u003e. Separate publication of the morning \u003cem\u003eConstitution\u003c/em\u003e and afternoon \u003cem\u003eJournal\u003c/em\u003e ended in 2001. The \u003cem\u003eConstitution\u003c/em\u003e, as it was originally known, was first published in 1868. Its name changed to The \u003cem\u003eAtlanta Constitution\u003c/em\u003e in 1869. The \u003cem\u003eAtlanta Journal\u003c/em\u003e was established in 1883.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2790.0,2820.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/192","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eClark Howell (1863-1936) was president and editor of the Atlanta Constitution and a director of the Associated Press. He served a 1-year term as a Fulton County Board Commissioner, member of Georgia House of Representatives (1886 -1892) and Georgia State Senator (1900 -1904). Ancestors of Clark Howell were his father Evan Park Howell (1839 -1905), and grandfather Judge Clark Howell (1811-1882).\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2790.0,2820.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/193","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eRobert and Company is an architectural engineering firm based in Atlanta with multiple offices in the Southern United States. It was founded in 1917 by Lawrence Wood “Chip” Robert, Jr. (1889-1976). Projects in Atlanta include the Atlanta Civic Center, Grady Memorial Hospital, and the Ahavath Achim Synagogue on Peachtree Battle Avenue.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2820.0,2850.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/194","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eJoseph Goldberg Zaglin (1912-1991), a native of Greenville, S.C., was an Atlanta businessman. He was president of Zaglin Wholesale Inc., a building materials firm he founded in 1985. He was president of Ahavath Achim Synagogue (1956-58) and taught 12th-grade students Sunday school there.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2850.0,2880.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/195","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eAndre Steiner (1908-2009) was a Czechoslovak-American architect. Steiner was born into a Jewish family in Dunajská Streda, Austria-Hungary (Czechoslovakia from 1918). After graduation from the German Technical University he worked for Ernst Wiesner and from 1934 he worked in his own studio. During World War II he was an organizer and leader of the Working Group (Pracovna Skupina), an underground network that worked to save Jews from the Holocaust. The group saved nearly six times as many Jews as did Oskar Schindler. After the Communist takeover of Czechoslovakia in 1948 he moved to Cuba, and then to the United States settling with relatives in Atlanta in 1950 where he renewed his career as a respected architect and city planner. He was senior architect for designs for Emory University, Georgia State University, Stone Mountain Park, and designed the Ahavath Achim building. A film, Andre’s Lives, was made about his return with his sons to the scenes of his wartime experiences. Produced by Atlantan Brad Lichtenstein, the documentary was released in 1999. Steiner was working for Robert and Co. when he designed Ahavath Achim.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2910.0,2940.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/196","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eJ.A. Jones Construction was a heavy construction company headquartered in Charlotte, North Carolina and founded by James Addison Jones in the 1890s. It merged with Germany's Philipp Holzmann AG in 1979. In 2003 the company ceased operations due to the failure of its parent company. A number of works constructed by J. A. Jones are listed on the U.S. National Register of Historic Places.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2940.0,2970.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/197","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003ePeachtree Center is a district located in Downtown Atlanta, Georgia, a quarter-mile north of Five Points. Most of the structures that make up the district were designed by Atlanta architect John C. Portman, Jr. Peachtree Center has a network of enclosed pedestrian sky bridges suspended above street-level and connect the convention hotels, shopping galleries, and office buildings in the district.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2940.0,2970.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/198","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Hyatt Regency Atlanta is a large business hotel located on Peachtree Street in downtown Atlanta, Georgia. The hotel opened in 1967 as the Regency Hyatt House and was designed by architect John C. Portman, Jr. (1924-2017) On top of the Hyatt Regency was a revolving restaurant called Polaris, located just beneath the blue dome-shaped structure which gives the hotel its distinctive profile.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2940.0,2970.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/199","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eThe Atlanta Marriott Marquis is a 52-story hotel in Atlanta, Georgia. The building was designed by Atlanta architect John C. Portman, Jr. (1924-2017) with construction completed in 1985, and because of its bulging base, it was often referred to as the “Pregnant Building.” One of the defining features of the Marriott Marquis is its large atrium. The atrium was the largest in the world upon its completion in 1985, spans the entire height of the building, and consists of two vertical chambers divided by elevator shafts and bridges.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=2940.0,2970.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/200","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eDeal wood was used in English paneled interiors. Deal is a pine tree of the northern group which grows in Europe and North Asia. It is known as yellow deal and red deal. 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He was born in Poland, immigrated to Baltimore, Maryland in 1904, and moved his family to Atlanta in 1928. He was a president of Ahavath Achim in Atlanta, Georgia and held leadership positions in the Jewish Welfare Fund, Atlanta Bureau of Education, Atlanta Jewish Home for the Aged, and the Atlanta \u003cem\u003eMaos Chitim\u003c/em\u003e Fund—which collects and distributes funds to the needy to buy \u003cem\u003ematzo\u003c/em\u003e and other foods for Passover.\u003c/p\u003e","format":"text/plain"},"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=3480.0,3510.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/annotation_set/385/annotation/204","type":"Annotation","motivation":"supplementing","body":{"type":"TextualBody","value":"\u003cp\u003eJames Seeman (1915-1994) was a watercolorist, muralist, and designer of wall coverings. He was a native of Vienna, Austria who immigrated to the United States in 1938 and resided in Long Island, New York and Miami, Florida. He founded James Seeman Studios and sold it in 1973. 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I have here a talk made by Max M. Cuba, who was our auditor. He gave a mini-history of the Dwoskin Incorporated to a joint meeting of the Dwoskin family stockholders on June 24, 1966, at the Atlanta Cabana Motel.","format":"text/plain","label":{"en":["Partial Transcript"]}}],"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=0.0,91.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/index/47218/annotation/208","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Max Cuba","format":"text/plain","label":{"en":["Subjects"]}},{"type":"TextualBody","value":"Morris Dwoskin","format":"text/plain","label":{"en":["Subjects"]}}],"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=0.0,91.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/index/47218/annotation/209","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Art","format":"text/plain","label":{"en":["Keywords"]}},{"type":"TextualBody","value":"Atlanta Cabana Motel","format":"text/plain","label":{"en":["Keywords"]}},{"type":"TextualBody","value":"Sistine Chapel","format":"text/plain","label":{"en":["Keywords"]}},{"type":"TextualBody","value":"Synagogue","format":"text/plain","label":{"en":["Keywords"]}}],"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=0.0,91.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/index/47218/annotation/210","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Move To Atlanta And Work At The AA Synagogue","format":"text/plain","label":{"en":["Title"]}}],"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=91.0,665.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/index/47218/annotation/211","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Harry tells the story of how his father escaped the Russian-Japanese War and brought his family to the United States. His father was told Atlanta was a nice place to live and eventually raised his six children there. He joined the local decorating business and worked as a mural painter. He received his first substantial commission at the AA synagogue. Harry talks about being amazed at his father's artwork at the synagogue.","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=91.0,665.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/index/47218/annotation/212","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Why don't you repeat what you told me before about how your family came to Atlanta?","format":"text/plain","label":{"en":["Partial Transcript"]}}],"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=91.0,665.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/index/47218/annotation/213","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Aaron Lipitz","format":"text/plain","label":{"en":["Subjects"]}},{"type":"TextualBody","value":"Morris Dwoskin","format":"text/plain","label":{"en":["Subjects"]}},{"type":"TextualBody","value":"Morris Goldberg","format":"text/plain","label":{"en":["Subjects"]}},{"type":"TextualBody","value":"Morris Lichtenstein","format":"text/plain","label":{"en":["Subjects"]}},{"type":"TextualBody","value":"Rabbi Hirmes","format":"text/plain","label":{"en":["Subjects"]}},{"type":"TextualBody","value":"Walter E. 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After his father passed, Harry says he redecorated the synagogue, touching up any damage and using the same color schemes.","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=665.0,1074.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/index/47218/annotation/217","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"The last you mentioned was the Corinthian columns and they were slightly antiqued.","format":"text/plain","label":{"en":["Partial Transcript"]}}],"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=665.0,1074.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/index/47218/annotation/218","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Charles H. 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about the many people who would stop by at the construction site to see the work, saying it was very attractive.","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471#t=1074.0,1197.0"},{"id":"https://thebreman.aviaryplatform.com/collections/994/collection_resources/29665/file/97471/index/47218/annotation/222","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Would people come by and watch this building being constructed, or would there be crowds and on-lookers?","format":"text/plain","label":{"en":["Partial 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